quinta-feira, 20 de setembro de 2012

Four Women - The Song

"Four Women" is a song written by singer, composer, pianist and arranger Nina Simone, released on the 1966 album Wild Is the Wind. It tells the story of four different African American women. Each of the four characters represents an African American stereotype in society. "An instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become." –Thulani Davis, The Village Voice . 


Afriacan-American female archetypes.






  • The first of the four women described in the song is "Aunt Sarah" a character who represents African American enslavement. Nina Simone's description of the woman emphasizes the strong and resilient aspects of her race, "strong enough to take the pain" as well as the long-term suffering her race has had to endure, "inflicted again and again".
  • The second woman who appears in the song is dubbed "Safronia", a woman of mixed race forced to live "between two worlds". She is portrayed as an oppressed woman and her story is once again used to highlight the suffering of the black race at the hands of white people in positions of power ("My father was rich and white/He forced my mother late one night").
  • The third character is that of a prostitute referred to as "Sweet Thing". She finds acceptance with both black and white people because "my hair is fine", but only because she provides sexual gratification ("Whose little girl am I?/Anyone who has money to buy").
  • The fourth and final woman we meet is an embittered and volatile woman, a product of the generations of oppression and suffering endured by her people ("I'm awfully bitter these days/'cause my parents were slaves"). She is prone to violence ("I'll kill the first mother' I see!"). Simone finally unveils the woman's name after a dramatic finale during which she screams, "My name is Peaches!"



References: Wikipedia




terça-feira, 14 de agosto de 2012

WTF?! Zoe Saldana Replacing Mary J. Blige As Nina Simone In Biopic?


I’m pretty sure Nina Simone made that face as she turned over in her grave at this news.

Just putting it out on the table, no one was overly eager about Mary J. Blige playing the legendary Nina Simone in a movie about the singer/songwriter/ pianist/activist’s intriguing life in the first place, but finding out that Zoe Saldana could be taking over her part is just, well, like, WTF?

No official announcement has been made, but Shadow and Act has confirmed the news which was shared by one of their readers with two sources, including a crew member who is supposed to be working on the project. As far as those individual’s are concerned, the part is as good as Zoe’s.

There’s just so much to say about this cast change. On one hand, the directors are going with an actual actress, which 99 percent of the time is a good thing considering how quick the industry is to throw a role to a singer instead of someone who has actually honed the craft of acting. On the other hand, Nina Simone was a jazz singer, this may have been one of those instances where a person who can actually sing should get the part. Maybe. The bigger issue, though, that I’m sure is slapping everyone in the face is a lighter-skinned woman portraying a dark-skinned icon yet again.

People told us to let it slide when Harriet Tubman was turned into a mulatto in that fictitious Abraham Lincoln movie but this is a biopic. If you can’t even be true the woman’s skin tone what else are they going to take creative license with? And why is it never a priority to maintain that element of one’s character, and always a priority to make one lighter than they really are? I know, I know, I already know that complex answer.
I’ll give the team behind this project the benefit of the doubt and assume Viola Davis, Kimberly Elise, Anika Noni Rose, and my favorite "Adepero Oduye", and every other stellar brown-skinned actress who we haven’t seen in a main role in ages and who could take this part and make it amazing was busy the last time they had a brainstorming meeting. With no formal announcement coming out yet, let’s hope they go back to the drawing board and think this through. Right now this sounds like a fail.

So WE HOPE they will change, because Zoe is not a good choice,for sure!

References: Madame Noire







sexta-feira, 10 de agosto de 2012

She is just lovely!

Nina Simone in her dressing room at the Village Gate in Manhattan before a live recording session in March 1965. Photo by Sam Falk/New York Times Co./Getty Images.


quarta-feira, 1 de agosto de 2012

Nina Simone Film Starring Mary J. Blige 2012


The film will star singer Mary J. Blige who will play the role of the jazz legend in the midst of her relationship with assistant Clifton Henderson.
Written by Cynthia Mort, the movie has actually been put off for years and just in 2010, it was sold, financed, and started being shooting  last year. It had been financed to the tune of $10 million, cast (Mary J. Blige & David Oyelowo in the starring roles), and was booked to start filming at the end of May 2011. 
Well, It had to be delayed until October 2011, because, as you may recall, Mary J Blige later signed on to co-star in Rock Of Ages with Tom Cruise and the rest of that film's cast, which is currently shooting.
It makes sense I suppose. Blije and her people must have felt that starring in the bigger budgeted Hollywood Rock Of Ages with Tom Cruise was far more important to her burgeoning acting career, than starring in an independently-financed and produced movie based on Nina Simone's life whose box office potential was uncertain.
Though I tend to get a little worried about projects that at first are announced as sure-things, and then get pushed around for one reason or another, no matter how valid. So, I won't be too surprised if it's eventually announced that the project is dead, or if it gets postponed again for some other reason.
Another positive thing that this postponement means is that Ms Blige will have more time to prep for her performance as Nina Simone. The MSN report acknowledges this by stating that she plans to spend the summer "researching the life of late jazz and blues legend."

"I have a lot of YouTube [footage] of her to study her and I read about her and talked to different people about her... I need to become whoever she was and dig in... I got to get a piano coach and a dialect coach to play her. Acting is something that I'm testing and it's working. I don't think I'm gonna become Meryl Streep... but I'm going to do the stuff that people believe in me for,"
 said Ms Blige.


Now we are just waiting, I hope this movie come this year like they said.  I'm very excited about it!!! 

References: Shadow and Act , eurweb 



sexta-feira, 20 de julho de 2012

My Favorite Song of the Day



Who am I?




Who am I?Was it all planned in advanceOr was I just born by chanceIn July?
Who on Earth am I?My friends only think of funThey're such a curious lotMust I be the only oneWho thinks, theseMysterious thoughts
Some day, I'll dieWill I ever live againAs a mountain lionOr a rooster, or a henOr a robin, or a wrenOr a fly?
Oh, who am I?
Do you believe in reincarnation?Do you believe in reincarnation?Were you ever here before?Have you ever had dreamsThat you knew were true?
Some time, before in your lifeHave you ever had that experience?So you must questionAll the truths that you knowAll the love in the lifeThat you know and sayWho am I?
Will I ever live againAs a mountain lionOr a rooster, or a henOr a robin, or a wrenOr a fly?
If I'm one of those livesThat have been reincarnated againAn' again an' again an' againAn' again an' again
Oh, who am I?

sábado, 14 de julho de 2012

Music Career


After she was rejected for the Curtis Institute's classical piano program because she was black. Her family by that time had moved to Philadelphia. To survive, she began teaching music to local students. When she discovered that one of her students was playing in a bar in Atlantic City -- and being paid more than she was from her piano teaching -- she decided to try this route herself.


Armed with music from many genres classical, jazz, popular, she began playing piano in 1954 at the Midtown Bar and Grill in Atlantic City. She adopted the stage name Nina Simone. "Nina" (from niña, meaning 'little girl' in Spanish) was a nickname a boyfriend had given to her, and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the movie "Casque d'or". The bar owner demanded soon that she add vocals to her piano playing, and Nina Simone began to draw large audiences of younger people who were fascinated by her eclectic musical repertoire and style. Soon she was playing in better nightclubs, and moved into the Greenwich Village scene.


After playing in small clubs, in 1958 she recorded a rendition of George Gershwin's "I Loves You Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 40 success in the United States, and her debut album Little Girl Blue soon followed on Bethlehem Records.


 

After the success of Little Girl Blue, Simone signed a contract with Colpix Records, and recorded a string of studio and live albums. Colpix relinquished all creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. At this point, Simone only performed pop music to make money to continue her classical music studies and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.

Throughout her career, Simone assembled a collection of songs that would become standards in her repertoire. These songs were self-written tunes, tributes to works by others with a new arrangement by Simone or songs written especially for Simone. Her first hit song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958).  During that same period Simone recorded "My Baby Just Cares for Me", which would become her biggest success years later, in 1987, when it was featured in a Chanel No. 5 perfume commercial. A music video was created by Aardman Studios for the commercial.


Well known songs from her Philips albums include "Don't Let Me Be Misunderstood" on Broadway-Blues-Ballads (1964), "I Put a Spell on You", "Ne Me Quitte Pas" (a rendition of a Jacques Brelsong) and "Feeling Good" on I Put A Spell On You (1965), "Lilac Wine" and "Wild Is the Wind" on Wild is the Wind (1966). Especially the songs "Don't Let Me Be Misunderstood", "Feeling Good", and "Sinnerman" (Pastel Blues, 1965) have great popularity today in terms of cover versions.

Simone's years at RCA-Victor spawned a number of singles and album tracks that were popular, particularly in Europe. In 1968, it was "Ain't Got No, I Got Life", a medley from the musical Hairfrom the album 'Nuff Said! (1968) that became a surprise hit for Simone, reaching number 4 on the UK pop charts and introducing her to a younger audience. In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder. The following single, the Bee Gees' rendition of "To Love Somebody" also reached the UK top 10 in 1969. "House of the Rising Sun" was featured on Nina Simone Sings The Blues in 1967, but Simone had recorded the song in 1961 and it was featured on Nina At The Village Gate (1962), predating the versions by Dave Van Ronk and Bob Dylan. It was later covered by The Animals, for whom it became a signature hit.

Nina Simone's growing bitterness over America's racism, her disputes with the record companies she called "pirates," her troubles with the IRS all led to her decision to leave the United States. She first moved to Barbados, and then, with the encouragement of Miriam Makeba and others, moved to Liberia.

A later move to Switzerland for the sake of her daughter's education was followed by a comeback attempt in London which failed when she put her faith in a sponsor who turned out to be a con man who robbed and beat her and abandoned her. She tried to commit suicide, but when that failed, found her faith in the future renewed. She built her career slowly, moving to Paris in 1978, having small successes.

In 1985, Nina Simone returned to the United States to record and perform, choosing to pursue fame in her native land. She focused on what would be popular, de-emphasizing her political views, and won growing acclaim. 


Nina Simone moved back to Europe -- first to the Netherlands then to the South of France in 1991. She published her biography, I Put a Spell on You, and continued to record and perform.

In 1995, she won ownership of 52 of her master recordings in a San Francisco court, and in 94-95 she had what she described as "a very intense love affair" -- "it was like a volcano." In her last years, Nina Simone was sometimes seen in a wheelchair between performances. She died April 21, 2003, in her adopted homeland, France.

In a 1969 interview with Phyl Garland, Nina Simone said:

"There's no other purpose, so far as I'm concerned, for us except to reflect the times, the situations around us and the things we're able to say through our art, the things that millions of people can't say. I think that's the function of an artist and, of course, those of us who are lucky leave a legacy so that when we're dead, we also live on. That's people like Billie Holiday and I hope that I will be that lucky, but meanwhile, the function, so far as I'm concerned, is to reflect the times, whatever that might be".

References: http://womenshistory.about.com/od/aframer19511999/a/Nina-Simone.htm
http://en.wikipedia.org/wiki/Nina_Simone
http://www.ninasimone.com/about/bio/ 

sexta-feira, 13 de julho de 2012

Who is she?!


Nina Simone



Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name "Nina Simone" , was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classicalpianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop.

Born the sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist as a child. Simone's mother, Mary Kate Waymon, was a strict Methodist minister and a housemaid. Simone's father, John Divine Waymon, was a handyman who at one time owned a dry cleaning business, but who also suffered bouts of ill health. Mary Kate's employer, hearing of her daughter's talent, provided funds for piano lessons. Subsequently, a local fund was set up to assist in Simone's continued education. With the assistance of this scholarship money she attended high school.

After finishing high school, she had studied for an interview with the help of a private tutor to study piano further at the Curtis Institute, but she was rejected. Simone believed that this rejection was related directly to her race.Simone then moved to New York City, where she studied at the Juilliard School of Music.







Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. She then began playing in a small club in Philadelphia to fund her continuing musical education to become a classical pianist and was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendition of "I Loves You Porgy" became a smash hit in the United States in 1958. Over the length of her career, Simone recorded more than 40 albums, mostly between 1958 — when she made her debut with Little Girl Blue — and 1974.

Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience-performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years.


After 20 years of performing, she became involved in the civil rights movement and the direction of her life shifted once again. Simone's music was highly influential in the fight for equal rights in the US.